Page last revised March 17, 2024
ON THE COVER: The two women represent the fact that the book has two major female characters from different eras. The top image is an 1877 rendering by S. H. Redmond of the arrival of the ill-fated Fancher-Baker wagon train at Mountain Meadows, Utah, in September 1857.
Cover and interior design by Alissa Beddow
A summary of the book:
Thirteen-year-old Hindle Lee, her mother dead and her father on the run after leading the Mormons’ 1857 massacre of a wagon train at Mountain Meadows, goes to work in a convalescent home and eventually takes on a career as an “eclectic physician of women’s ailments.” Her sister Lucitie travels to England and back and becomes part of a four-generation hairdressing dynasty. Through the comic, strange, and tragic stories of Hindle’s patients, and through the authentic speech, sense of place, and experience of historical events that Kennelly re-creates for us, Salt Lake City of the nineteenth century comes alive. Drawing upon her sharp memory and meticulous research, the author takes us from ordinary households to rich mansions, from wagons to motorcars, from brightly lit Main Street to the dark inner expanses of the old Constitution Building.
The stories of that wondrous past, made mythic through the mind of a little Australian girl, are handed down to Hindle’s granddaughter Rosetta, who comes of age in the changing times of the 1920s. With a spirit hungry for knowledge, Rosetta becomes a keen observer of the workings of the world and the human psyche. She and her cousin Lavonne, working as beauty operators and never separated for long, must deal all their lives with the hard truths about men, women, and beauty, and with different kinds of fanaticism and violence. All these elements are drawn together in a final reverberating event that only an artist could make meaningful.